I've come up with a new way to take photos. I put my camera around my neck when driving, and whenever I stop at a red light, I whip my head around every which way in hopes of seeing a good shot. It makes me nervous because I'm scared of what might happen if the light turns green when I'm in the middle of taking the picture. What if someone HONKS?
My nervousness makes me hesitate. But I have a plan. I'm going to count to see about how long stoplights are, and then I'll count while I'm trying to get the shot, and if the stoplight is 60 seconds, I'll lower my camera at 57 and get my hands back on the steering wheel before anybody can get mad at me.
I got brave at 18th and Castro and snapped this shot lickety split. I liked the way their limbs were moving so quickly and also in sync, yet both walkers were unaware of their synchronicity as they rushed along their separate, opposite ways.
I can't remember if I was on the way home from delivering flyers in the Haight, or if I was on the way home from getting my three tumor marker tests up on Parnassus. After the tests, on my way out of the medical building, I acted on my plan to reward myself afterward with a treat. I got myself a piece of moist but not too moist pumpkin cake and an expresso. Sat at the windy outdoor table and watched a man in blue scrubs and a beard hurry by with a can of coke in his hand. The phlebotomist who drew my blood was apologetic when I asked why no one had returned my voice mail messages, two of them. She said she'd been alone that morning in the lab, and that the second she got there, people started coming in. Thirty-two people before 12:30. So I forgave her for not checking the phone messages and wondered what all the reasons had been for the people who had been there before me to get their blood drawn or their urine analyzed. Hundreds of vials with different colored caps - red, blue, lavender and orange - crowded the shelves across from where I sat on the special chair with wings where you can rest the arm that your blood will be taken from.
I always turn my head away and close my eyes when the blood is drawn. It doesn't hurt that much but the sight of the blood being sucked out of that tender crook of my arm, into not one not two but three long glass tubes, is something I prefer to avoid.
I didn't realize expresso drinks were so tiny. I ordered expresso, which I don't normally do, because my writing group explained to me the last time we met that it has less caffeine than regular coffee. I never knew that. Has to do with how long the beans are roasted. Or something. Maybe it wouldn't have seemed so tiny if I hadn't ordered it to go and gotten it in a paper cup. Don't they have special tiny ceramic cups that are made just for expressos? if not, they should.
I have little else to report. The Writing Salon website registration page still isn't working right, and...surprise!... I took Olivia for another walk. When we walked by the cement wall that used to have a mural but was recently painted over, I took pictures of it anyway, trying for something strikingly minimalist, but got nothing except three retarded looking picture of cement.
Ooops, almost forgot. Dionne Warwick, 69, and Connie Francis, 70 or 71, will be performing together in Las Vegas. The two of them were on the Joy Behar Show. Warwick was wearing a SWEATSHIRT, ugly gray, and a pale pinkish baseball cap. You couldn't see her hair. She wore glasses. She was fattish. Francis was more glammed up, but my god her face was plastic surgery'ized in a most offensive way. I was so repulsed that I immediately googled her, which led me to a 15-minute, highly satisfying perusal of websites featuring botched celebrity plastic surgeries. Alien faces are the worst, but dented boobs are pretty weird too.
I fear for Courtney Cox, who looks almost still okay except for the slight paralysis of her mouth, because she said in an interview that she will definitely be doing more. Said her whole family is vain, and she doesn't at all care for aging and will do whatever it takes to fend off authenticity.
I can only surmise that Joan Rivers is her inspiration. But don't get me going on Joan.
Diane Keaton, as we all know, is authentic. I loved her in Something's Gotta Give.
Harry Sanborn:
I can't get past your damn turtleneck.
Erica Barry:
Cut it off!